Posts Tagged ‘e-books’

EMC QUEST Corporation publishes new book, A ZOOM LENS FOR YOUR LIFE. The book is by Active Garage columnist – William Reed, speaker, columnist, and martial artist, who also serves as Chairman and Representative Director of EMC QUEST.

This is a book of practical wisdom, exploring how you can develop flexible focus using the the powerful lens of the Mandala Chart to bring your life into balance, and your goals into focus.

It combines age-old questions with actionable ideas and tools, and helps you turn your dreams into real achievements. It is the first book ever to introduce the Mandala Chart in English, and contains many nuggets of wisdom which help you make the most of each day at work, at home, at play.

Each chapter explores the Mandala from a new perspective, with compact and insightful ideas for business and personal performance.

When read on an ebook reader such as Kindle, readers can also access the concepts through the online dictionary and web access, use the notes and highlight feature, and share passages on Facebook. This is particularly useful for readers for whom English may be a second language, making it possible to improve your English while you read the ZOOM LENS content. It is also a powerful companion for the EMC QUEST Personal Coaching Program.

A ZOOM LENS FOR YOUR LIFE is divided into 4 parts and 16 chapters:

Table of Contents

PART ONE: NAVIGATION

  • Chapter One: Are Goals Traps or Opportunities?
  • Chapter Two: Oceans of Opportunity
  • Chapter Three: The Principle of Interdependence
  • Chapter Four: The Principle of Initiative

PART TWO: MASTERY

  • Chapter Five: The Eight Frames of Life—Health
  • Chapter Six: The Eight Frames of Life—Business
  • Chapter Seven: The Mandala Business Diary
  • Chapter Eight: Finding Focus in the Frames

PART THREE: RESONANCE

  • Chapter Nine: The Magic Eye of Metaphor
  • Chapter Ten: The Art of Making Sense
  • Chapter Eleven: Inside the Lines
  • Chapter Twelve: The Wonderful World of Flow

PART FOUR: FREEDOM

  • Chapter Thirteen: The Decision Trap
  • Chapter Fourteen: The One Year Plan
  • Chapter Fifteen: Determine Your Destiny
  • Chapter Sixteen: Move Less, Attract More

From the introduction

“Imagine if your view of the world was restricted to what you can see in front of your face. This was the case for much of human history. It is hard to fathom to what extent technology has changed our view of the world, giving us zoom access to the outer reaches of space, the microscopic world, cameras transcending time and space, and the web connecting our world.

What if there was a tool that acted as a zoom lens for your life? What if you could step away from the fray to see the big picture, zero in for analysis or action, without losing track of how everything is connected? The Mandala Chart is just such a tool, acting as a viewfinder with flexible focus. In all periods of history, the people with flexible focus have been able to dance circles around the rest.

The Biggest Room in the World…

My personal belief is that the biggest room in the world is the room for improvement. This is a proactive philosophy of always experimenting and implementing to improve.”

Words of Praise for ZOOM LENS FOR YOUR LIFE…

“A Zoom Lens for Your Life is an excellent introduction to the Mandala Chart, providing multiple windows on the method, and inviting readers to explore more.” ~Matsumura Yasuo, Founder of the Mandala Chart Method.

“What William Reed brings to us in A Zoom Lens for Your Life is a checklist, of sorts, on how to make the most of each day at work, at home, at play. And he accomplishes this through the use of the age-old Mandala.” ~Mark Gresham, Director of Cambridge University Press, Japan

“A Zoom Lens for Your Life is a practical book for business people, and it contains many nuggets of wisdom from Japanese culture.” ~Higuchi Takeo, Director of Idea-Marathon Institute

“A Zoom Lens For Your Life will help you prepare for an uncertain tomorrow, the only kind of tomorrow most of us will face.” ~ Bruce Rosenstein, Author, Living in More Than One World: How Peter Drucker’s Wisdom Can Inspire and Transform Your Life

“The concept of the Mandala approach offers a powerful and realistic way to realize the important personal goals we set for ourselves.” ~Dermot Killoran, President of Calderwood Productions, Tokyo

“William Reed in A Zoom Lens for Your Life outlines how and why this ancient chart can be used to great effect in realizing our goals.” ~Philip T Gibb, President,British Chamber of Commerce in Japan

A ZOOM LENS FOR YOUR LIFE is available in digital form on Amazon Kindle, Barnes & Noble, Smashwords, and can also be purchased in hard copy from Lulu.com and CreateSpace.

When you begin to write your book, you may be pleasantly surprised to find that you’ve already made significant progress….especially, if you’ve been active in your field for a long time.

Because you may have already written a lot of your book, the first writing step you should take is to take a fresh look at your hard drive, looking for content just begging to be included in your book!

Existing content takes many forms

To help you locate contents you already wrote, I’ve added a copy of my Existing Content Inventory Worksheet to my Active Garage Resource Page which you can download without registration.

My Existing Content Inventory Worksheet will help you keep track of content like case studies, examples, ideas, opinions, perspectives, procedures, resources, shortcuts, tips, and warnings.

Where to look for ready-to-use content

Look for existing content you can reuse for your book in files originally created for projects like:

  • Articles & newsletters
  • Blog posts & comments
  • Books, e-books, & previous book proposals
  • E-mail
  • Memos & reports
  • New business proposals
  • Presentations & speeches
  • Press releases
  • Teleseminars, webinars
  • White papers

As you review your previous client, prospect, and writing files, you may be surprised at the content richness waiting for you.

During your exploration, you might want to search your hard drive for key phrases and words that might take you directly to the content you’re looking for.

What to do after locating existing content

Once you consolidate the titles, relevance, and locations of existing content onto copies of the Existing Content Inventory Worksheet, you can address questions like:

  • What type of content is it? Is the content an idea, a process or a technique, a case study, an interesting anecdote, or a tip?
  • Where does the content belong in my book? Which chapter?
  • How much of the content is useful? Where will it appear within the chapter? Will the content be used as part of the text of your book, or is it more appropriate as a sidebar interview or tip?
  • How literally can I reuse the content? Can I simply copy and paste the content, (assuming you have copyright ownership of the content)? Or, do I need to paraphrase the content? Do I need to expand the content? Do I need to verify the accuracy of the content?
  • Do I need permissions for quotations? You may not need to obtain permission, for example, if the quote appeared in a published magazine or newspaper article. You might have to get permission, however, if you quoting an individual’s comments in a recorded teleseminar interview you hosted.

In many cases, of course, you may have originally written the content in long-forgotten articles, blog posts, or newsletters.

Of course, if you already knew, or suspected, that you were going to be write your current book, you’d- -hopefully- -have tracked the content using a mind map like the one I prepared for this blog post series (among other free resources).

Conclusion

Writing a book doesn’t have to mean a time-consuming endeavor requiring you to write every word from scratch! If you’ve been active in your field for a long time, you may have already written a lot of your book! Even better, if you used tools like mind mapping to organize your content and track your writing, you may be pleasantly surprised to find how much of your book has already been written.

Roger C. Parker helps business professionals write brand-building, thought-leadership books. He’s written over 30 books, offers writing tools at Published&Profitable, and posts writing tips each weekday. His next book is Title Tweet! 140 Bite-Sized Ideas for Article, Book, and Event Titles.

Roger-Step1-PlanAuthors must look beyond the obvious – -the trends and the hype – -when choosing the type of book publishing that’s best for them and their family. It’s easy to get seduced by the many recent, exciting, changes in book publishing technology.

Before rushing into a decision, I encourage you to make your choice from a detailed analysis of how each publishing option will impact you and your family both before and after your book is published.

Publishing options at a glance

The 3 primary publishing options include e-books, trade publishing, and self-publishing.

E-books

E-books span the gamut from word-processed documents distributed as Adobe Acrobat PDF files to professionally designed books optimized for on-screen reading, like Rajesh Setty’s Defiant. A new generation of e-book readers has received a great deal of attention, like the Amazon Kindle and Barnes & Noble Nook.

When analyzing the pros and cons of e-books, authors need to be careful to ask the right questions. The questions should not revolve around the current popularity of e-books and e-book readers- -i.e., whether or not e-books will replace printed books, etc.

Instead, authors must ask whether or not an e-book, by itself, will be enough to build the compelling, income-generating, personal brand they desire.

The big question is not whether or not e-books are popular, but whether or not they can position you as a subject area expert in your field

Trade publishing

Trade publishing, i.e., printed books published by large, specialized firms and distributed online and through “bricks and mortar” retail channels like Barnes & Noble, Borders, and regional independent bookstores offer authors a “no cost” way to get their book published.

Trade publishers front the money for all of the costs involved in editing, designing, formatting, printing, and distributing the book. In fact, traditionally, authors would receive often-significant advances on the future earnings of their books.

In exchange for freedom from up-front investment, however, authors must pass the gauntlets of rejection; publishers typically receive hundreds of books proposals for each book they publish. In addition, authors typically sacrifice a lot of control. It’s no longer “author and book,” but “author and committee”- -and the committee is a huge one.

Major decisions, like titles, book covers, size, pricing, and market positioning, are taken out of the author’s hands, and many surprises occur. (Many authors don’t even see their book’s front cover until it’s too late!)

Other compromises involve the amount of money authors receive from sales of their books, copyright issues that can limit back-end profit opportunities, and rights to future electronic products (like DVD’s). Most non-fiction books fail to earn royalties beyond the initial advance, although the occasional “home run” can create life-changing cash-flow.

Authors must ask themselves if the publisher’s credibility, expertise, and bookstore distribution are worth the lack of control and reduced earnings characteristic of trade publishing.

Self-publishing

Self-publishing continues to enjoy growing popularity. And, like “hybrid automobiles,” the term covers a broad range of options. Self-publishing ranges from an author taking responsibility for everything- – including editing, designing, printing, and distributing their book- -to options where outside firms will take as much responsibility for book production and distribution as desired.

Self-publishing offers control and speed: author’s call the shots and can get book into the hands of their clients and prospects faster than trade-publishing.

In addition, depending on how much money the author initially invests in their project, authors can far more profit per-copy than they would ever earn from trade publishing. This is especially true with direct online sales and from selling multiple copies of their books to businesses and associations.

Before choosing self-publishing, however, authors must determine whether or not they have the resources necessary to self-publish their book, and also make sure they want to spend their time performing the tasks necessary to distribute their book.

Authors have succeeded, and are succeeding, with each option. In addition, hybrid options are becoming available. What’s important, however, is What will work best for you?

How to choose the right publishing option

Ultimately, the choice for most authors boils down to just 2 issues: cash-flow and task preferences.  Cash-flow and how the author wants to spend their time after their book appears are the crucial issues.

Cash-flow

For many authors, the issue is cash-flow. Self-publishing initially involves negative cash flow, the money flows away from the author. The author is investing (or borrowing) money against future profits. Authors must put out money for editing, design, production, and proof-reading- -in addition to paying up front for printing and shipping.

If the money is there, i.e., if an author can more comfortably invest in their book without risking their financial security, self-publishing makes sense.

But, if the investment will seriously impact their family’s standard or living, or- -, even worse- -put it at risk, self-publishing doesn’t make sense.

The Preliminary Cash Flow Projection worksheet displays the implications of self-publishing versus trade publishing.

Task preferences

Successful self-publishing requires a different set of tasks than writing a book. It’s up to you whether or not the tasks are those you’d like to either commit to on a daily basis or delegate to others. These tasks involve:

  • Processing and fulfilling orders, packaging and addressing individual books, handling the occasional, inevitable, returns.
  • Shipping cartons of books to distributors and bookstores, handling returns of unsold books.
  • Monitoring inventory, deciding when to re-order books.
  • Legal and accounting; monitoring accounts receivable and tracking down overdue payments, dealing with copyright issues.
  • Negotiating terms with bookstores and distributors, including discounts and return privileges.


There’s nothing inherently wrong with these tasks, but authors must balance their writing and client-service time with the minutiae involved in bookstore distribution and fulfilling individual orders.


The Author Task Preference Worksheet helps you identify your “fit” with the tasks involved in self-publishing.

Conclusion

As the above questions show, choosing the right publishing alternative involves more than simply “going with the flow” or choosing the most popular alternative. The right choice of publishing alternative involves carefully balancing their goals and resources with the realities of each publishing option.

To help my clients, I’ve created several worksheets, like my Self-Publishing Expense Planner, shown above, to help authors realistically run the numbers and make the right decisions. (E-mail me if you’d like to see a sample.)